Lake Lygnern; My Quarantine Companion

(Remnants of Isolation 2020-22)
As a young adult living in Vermont, USA, tuning into a regular radio broadcast on Sunday morning with a warm mug of dark roasted coffee was a soulful retreat from the busy hum drudgery of the week. Garrison Keillor’s radio broadcast, “Prairie Home Companion” was exactly that, a delightful guest in my kitchen, a welcomed visitor with a smooth and soothing voice. The program was broadcast live from Minnesota, far away from the familiarity of my view of Mount Mansfield, part of the Green Mountain chain, where tall dark pines grew as far as the eye could see and neatly stacked firewood lined my weathered fence, much in need of mending.
His famous quote, “Welcome to Lake Wobegon, where all the women are strong, all the men are good-looking, and all the children are above average.” His smooth tone ensured my next hour was pleasant and the inner reflections silence brings would quell any worries.
I now live on Sweden’s west coast beside a lake named Lygnern. I am far from Vermont, even further from “Lake Wobegon” and soon for ten years this view from my bedroom window has given me insurmountable pleasure.
Although I have human companions, two furry Lepus who have leapt into my heart (domestic rabbits of the Teddy Bear and Lion haired-breeds) and spoiled Hedemora chickens, the comforting confinement I once chose has now become a quarantine for survival.
I have seen the lake shine like an ice-covered pond on sunny days, frothy waves rustling from gales off the North Sea, moon beams bouncing playfully and Lygnern completely hidden by heavy fog.
This body of water I have become enchanted with is my companion and I its guest. I have sat on the edge of my bed crying with only Lygnern as my witness and comfort. I have sat with my husband on warm summer evenings by the shore, hands embraced, our eyes indulging in its romantic hues. Our love deepens while the water ebbs and it has become the idealistic metaphor of daily life. I have watched children splash, laugh and wild water swimmers tackle this natural playground.
Now I look out and feel the anxiety of the pandemic, grateful for living away from the city yet Lygnern has not changed. It does not reflect fear, rather harbors the history of our region and continues to offer up beauty and solace. It survived the cholera epidemic and on ridges near are graveyards of our village victims who once fished and swam in this lake, too. It has had rowboats browse these shores for centuries, ferries of wedding parties and been the backdrop for celebrations and gaiety for those long gone.
Lygnern embodies in its wake the memories we both cherish and take for granted.
From my window Lygnern will continue to be my companion differently than any other. All who have a view develop their own relationship with it. My worries flow and my hope grows; each day or even hour this lake offers gracefully and precisely what I need.
For those alone during this history in the making, the 2020th year and onward shall forever induce memories of solitude; your view is up to you to create. If you look out and spy a streetlamp or a seagull, they are your personal mirror of Now.
In solitude may we all find a path to inner peace by opening the pages of a book that takes us far away from our physical quarantine, tune in and listen to others and imagine your own comforting scenery.
I never saw Lake Wobegon or met Garrison Keillor, yet they were as comforting every Sunday as an old friend who’d popped into town and surprised me.
From Lake Lygnern I send each one of you a picturesque view during difficult times, and with a warm heart, I wish your days to be a bit brighter than the day before.
I will continue to write from my perch above Lygnern in my cosiest sweater and I will commit to compliance not complacency while breathing in my view of this historically rich land and water. From outside the city, where the lake listens, the sun rises and sets and yes, we all `” think” we are good looking, Peace.

Double Rainbow Over Lygnern

Photo By Magnus Polla




Three in the Morning; A Recipe for Letting Go.

Photo by ROCK

An angel from nature saw me sinking and swiftly pulled me through the fog. I had waited and waited for you to call. I heard sweet birds cooing and left my tears on the stone path to dry, for the beauty of my surroundings were stronger than my sigh. Rumbling in the trees a tiny deer appears nibbling on a plum tree bud with it’s tiny little ears. I do not frighten her for she knows we are one. I repeat “I am special”, “I am kind”, “I am full of love to give to all mankind”. LittleMe rises up from my deepest darkest space and ROCK quickly makes a move and puts her back in place. I will not let my love be taken by those who dare not see that I am grateful for myself, I at least still have me.

If Patty Smith Came to Dinner…

She would love the old farmhouse and joke about marijuana not being legal in Sweden. She would look at all of my art and feel something. I would have a hard time keeping up the conversation because of my fibromyalgia flare, non stop headaches and chronic pain syndrome. My spine wouldn’t let me cook her one of my famous soups so I would put out a nice bottle of red wine, lay fresh wild flowers by her glass and talk about how fucked up the world is and how we can’t do enough in our short lives to save it. I think I could manage to make a Västerbotten pie which is a Swedish favorite and saute kale, shredded cauliflower and sesame seeds with chili flakes and grill corn. I wonder if she likes caviar. My pain would overwhelm me and I would need extra morphine. I’d tell her how her Easter album changed me, made me feel less guilt and oppression internally from my Bible belt upbringing. I think she’d like me. Maybe I would touch her wild gray hair and talk to her about Bob Dylan and how he can’t be repeated, reincarnated and how many people idolize his ability to hit his listeners over the head with an iron skillet, while repeatedly trying to wake society up. I would serve sweet strawberries and cream and she wouldn’t care that I was in my pajamas because I hurt so much. She would probably not stay over and have ” a guy” that drives her around smoking camels in my driveway. She would hug me and I’d ask if we could take a selfie. She’d oblige and get into a black SUV with dark windows and slowly the driver would make it around the barn, past the silos and I would feel satisfied how well it all went and write a long journal entry. I would call my friends and they’d doubt me. I would have met a rockin’ icon and remember how she empowered all women to continue to stand and raise our community UP to higher ground.

Fallen Angel; Accepting I can not Fly Alone

In this show, on this stage, a giant yet fragile marionette is lowered slowly; as the black velvet curtains part one can see what appears to be an angel flying, sustaining herself with her own elegant wings; no one would surmise that she was not magical at all, nor that she was so delicate that any moment she could break into bits destroying the opening act. She was held together like all puppets with strings attached to, well every part of her. Above her was a monster both good and bad, one who could help her move and also yank her off stage without notice, ending her performance so swiftly that she lost her breath. The monster was made of a slew of chemicals, medicinal ones that gave her just enough energy to be amongst others and move. Some days the monster although well meaning didn’t move her at all. The monster called in her true protector, her friend since childhood with hopes he could guide her with the grief she swam in. Rock said, “other’s are also struggling to perform, to get out and do their best, to live with no strings attached. Some strings are superficial and some are real. You must learn to accept the monster made from the God’s as your friend to live a better life; Morpheus is the monster’s name.” Although Morpheus was powerful, some days even he was not enough. Some days Morpheus lifted her with ease and she glided across the stage, in flight with next to no pain and yet other times she lay in a wooden, splintered heap in her lonely marionette box. Her wings were her freedom. When she was flying she smiled and saw the world as a beautiful place despite it’s absurdities, when her wings ached and she couldn’t even flutter she sank deeper into her box and Morpheus would close her eyes awhile and there she would stay, dreaming of the old days when she flew and saw green tree tops with baby bird’s nests, lover’s hand in hand sitting on picnic blankets and all the colours on the spectrum called Life.

Memoirs in a Mirror; Ageless Love

 Memoirs in the Mirror
Photo by Magnus Polla

As I write about broken heart’s being mended with Al Green singing in the background I am ushered into my most vulnerable piece of self. Love is renewable and must be revisited day after day, year after year. Rock was and is still very protective of my shattered and deepest self yet LOVE is a journey I once ran through, jumped over waves for and got lost in so deeply that I could not find my way back to who I am. I still inhale the smell of you even when you aren’t near and I still get jealous after nearly two decades of “us”. Remember our passionate first meeting? An autumn blend of whimsical laughter, intellectual virility, a chemistry so robust with first love sensations and our everlasting amusements, surely you recall? What about the sunsets in Amalfi, sunrises by the sea and how I looked across the table over coffee in to your eyes on the veranda and felt like I could fall out of my chair? Now in the mirror a version of me I am still trying to get to know. I hold on to our kisses in the lush Swedish forests, our dancing in the living room at midnight on New Year’s eve and the smile in your eyes when I once did something so simple as to make a hearty, warm soup from my heart to feed us. I can feel as if I am losing this battle with my body; I am not afraid of my pain, but of yours. Must you keep picking me up off the floor or guiding me when my balance is askew? Will I hold you back from finding out more about yourself? I want to walk through our life of mirrors and see everyday we had together; the tipsy Bloody Mary Sunday brunch in Andersonville, the heartache when we could not be together, you holding me in your arms and saying, “you’re the girl I always wanted”. I say “Bravo” for the way we have blended our differences into a special cocktail that tastes a tad like southern moonshine with a bit of je ne sais quoi. You know most all of me, my fears of losing those I love, my need to hold on and never let go of anyone and how I wish my childhood could be redone. You know how much I adored my big family, my mother and my insistance that we are not at all alike (but we are). You know how I hate feeling left behind, the story of not getting matching pajamas like my sisters, my pathetic need to repeat stories of my emotional scars, my greatest mentors and my need to have a best friend always and how afraid I am to be alone. You know I love pigs and bunnies and how I want to save the world around me, and how easily I cry when I realise I can’t even save myself. You know how to fix my drugs, treat my physical pain, how to handle my anger at myself for ruining plans, burning food, forgetting I am running a bath, forgetting one language and speaking another and you are still here, loving me despite my body’s falter, my mind forgetting my intentions. I lose my self into old songs, red wine and wish I coud promise to be here a long, long time. You are the boy of my dreams, too. I love you. I love you. I love you. You know I am repetitive.

Unlock My Sanctuary

It’s key is hidden, I misplaced it among my own feelings again. I am alone inside a body that lets me down, hurts me and I can’t get out. I see me walking like Jesus across the sea and then sink without a fight, drowning in my mysterious mind. I am so grateful yet undeserving of salvation. Sanctuaries for Love should be everywhere, not just for those seeking redemption from our earthly delights that were indulgent or a sinful play that some grand Creator would frown upon. The gates are always open to love more, release ourselves from our own arrogant beliefs. I am burdened by carrying me through life; how then can I carry some one else? I see a white wooden columned southern USA colonial home with a long drive and weeping willows, a big porch and spinning ceiling fans. I am the youngest broken one there and I try to cheer my southern company with kind regards and smiles. I am in a sanctuary where I no longer feel like a worthless woman. I make a difference because I am not in the agony that I rise and face each morning. I can quit because I will no longer ruin other’s good times or my own. I can be quiet. I can be kept and have tea and maybe sometimes I will wonder about Jesus and God and bad and good but I will be my own judge as my heart is pure.

Photo by Maria Orlova on Pexels.com

Romancing Pain

Dancing with Eyes Closed; Accepting Pain as Part of Me.

In the morning there are yellow dandelions surrounding me, lifting me up with a wash of spring hope. I am rinsed in the sun’s warm rays and feel determined. I always think I will feel better than I actually do. Is that my own stupidity or perpetual stubbornness? I dress and make it to the rich Italian red wine sofa and prop my legs up on a stack of pillows. The pain starts just after I proclaim, “I am better!” and I succumb to my surroundings. The walls are a light gray panel of wood, the ceiling white, the old barn’s tin roof I can see from the sofa is a rusty burnt red with brown dried clumps of moss separating it into unsightly squares. My pain I feel is visualized as an electric zap of steel, sharp silver, shooting up my legs and my silent scream is a maze of terrestrial hues. Pain shares with me every drop of it’s colour, of it’s beauty and it’s sorrow; like the northern lights and milky way it is so breath taking and hard to believe that it is real. Living in a state of chronic pain is anxiety provoking. My mind is a puree of sounds and I am often perplexed. Why can’t I be fixed? Why must my colours be so rare and overworked? My self portrait is black and white as I spilt any hope of beauty out onto the porous surface beneath me. “My pain”, I said to the chronic pain psychologist, “I’ve accepted.” My mind lied that day. I hate it, I hate my body and my bruises both superficial and within. No amount of prayer or drugs give me peace and like the wild scribbling made by a toddler with crayons I lay in a chaos of colour; I am a bottle with layers of dripping wax from many different tints of candles. I am beneath the surface, beneath the beauty, buried in a colour of pain. My eyes close and I stare at the daylight as if my eyelids were window shades. I don’t see why I should open my eyes except to write this pathetic complaint that haunts me. I want to be a happy rainbow one more time. One more moment of brilliance is all I ask. Like any desperate lover, Pain beckons me back, takes hold of me and says, ” I will never leave you alone again.”

The Tale of a Broken Ballerina

                                                                           A Dancer's Weep
 

Handwoven lace, spun from a magical spider’s web fashioned her posture; veiled were her dreams, old lover’s deceptions and all unbridled emotions. Before, as if in another life she had been the lead dancer, the one spinning to pretty notes, unwinding with the delicacy of her spirit. Poised, she leapt through memories both shiny like sapphire and fragile as opals. Around her was a still, mirroring pond of light. She was a lost feather, floating solo from high above, performing an impromptu pirouette and free falling in the breath of cool northern winds. Her eyes were stained with glassy ice blue tears which solidified as soon as they breeched from their ducts. Snowflakes flew around her and she became cold, landing hard upon the marbled stone beneath her. She lay there and closed her eyes. She wanted someone to stop the tinkling of a rhetorical melody from her own music box which continued to play beyond her control. She had broken her strongest leg, the one she used to lean on when avoiding painful lyrics that reminded her of flurrying youth. Her shadow was growing old and her desire to dance more began to fade. No hand came to help her up and no one knew that she lay in pain; truth be told she did not long for help. The ballerina knew she was doing all she could to mend her wounds and protect her future from being shattered. From the heavens the moonlight crystalized her beauty, shielding her from surrendering herself all together. Her strength although enervated, would call upon her to rise again. As all folkloric sagas have us to believe “amore-propre” is restored and the beast within is slain or out-witted, the beautiful one’s faith is redeemed, and the Prima donna always experiences a reawakening with butterflies swimming around her head and that which was her nemesis is obliterated. The ballerina in this story is glued carefully back together and placed en-pointe, center stage in a polished oak jewelry box; the golden key is wound and she spins ever so slowly as Lara’s Song resumes. Somewhere my love, within this broken Ballerina her own needs were forsaken without mirth; to see those she loved resuscitate their own dreams was a gift for she once again had an honorable purpose.

Letting the Light In, one ray at a time

The best of me, you, them, us, and all is Hope. One steps in and out of light, some of us even crawl as we are so broken and dark within that we need others to pull, push and not give up on leading us into streaming rays of what many see as simple “Better-ness”. The closer we come to our own Truth, our ability to grow stronger begins. The realisation that most of the modular examples of humans do not want to go into the depths of who they are is a reality that the evolution of western societies have placed us in. We are “what we do”. We are subjected to a deceptive construct of expectations and judgements. What is really inside your heart, your soul, your mind? Can you say how you truly think, feel and free your voice for other’s to hear or is it too risky? In my five decades plus I have learned a little bit, but Oh! there is so much more to take in. I discover so much more in each moment that I am hypnotised into being a servant of “More”. More than I knew this morning, more than I knew yesterday and I laugh at the rays of sunlight dancing across my heart’s steady beat. I am a painting, a structure framed in bone and my emotions blend into my visual perception of what colour truly is. I am orange, like a clementine imported from Spain. I am as yellow as the lemons which fall along the streets of Amalfi, green as the the stem of a daffodil. I can be black as the coffee grounds I push through the petite glass press each morning, or as rich of a brown as the newly turned soil where the potatoes and garlic are growing now. I, too can be a shade of blue that only can be seen near dusk over the forest’s treeline where night and day blend into a pale magical phase. My palette is as varied as my experiences, some days I feel wonderfully whimsical as a lilac and others I am like the brooding, burnt, melancholy ochre dug from the dry sun baked earth in Morocco; this is my portrait and it changes as my life flows from one hour to the next. When in physical pain I find the most healing hues are tossed like a salad, spread across me like an old quilt and as they dance my suffering returns to gratitude. How did living with severe pain lead me to being thankful? What began as a diagnosis, a prognosis and then a turbulent period of misery led me to my inner oasis.

Photo by Yusuke Furuya on Pexels.com

My ego was a rhinoceros ready to kill all that made me feel good. I sank in deep mud and stayed there as if cooling down on the banks of the Nile yet my spirit’s nakedness unleashed a depression that no drug could take away. I had to rip my own canvas apart, rebuild who I could or would be and it took years. My fifth decade will always be one of my life’s most valuable periods of renewal. I have discovered that my pain led to the closing of many doors that should have been locked years ago. During this new abstract version of myself I would dwell on my losses, the life I led being stolen from underneath me and envy able bodied friends who slowly were shed from my company. No more deep forest dives, no more hiking for miles and climbing up mountains or cross country skiing; the smallest of movements need to be considered before engaging in every single step of every single day. “Guess-timating” what sort of pain level I will endure from any decision made each day has led me to sculpt a very fine mental map that is virtually traveling within me every second. I did not know in those early days there would be a shift in my endurance and mental health. In the NOW, most days I can not sit at all to eat with my family much less indulge in my love of cooking and painting. I can rarely sit for a dinner party, nor manage restoring a sense of order in my home, lift a potted plant, follow a conversation, make my bed, sleep soundly, wake fresh and be ready for a productive day, meaning how I once described the essence of productivity. I had found my new sketch repugnant, my emotions were entangled balls of wool and I quit. I just quit. Whilst laying in the quiet of each day, I began to face my deepest Truth, a kind of pain so blinding that it was as if I were staring directly into the sun with my eyelids pinned back as intentional torcher. All I had run from, all I had never wanted to face lay with me in my muddy rhinoceros hole. I remembered. And I remembered more and more each day. There was no where to hide and I had to lie next to my past glaring at me night after night, dream after dream. I will never be able to give this process enough credit for saving my NOW. I had to be heard, seen, held and pulled up and it would take re-breaking my heart one memory at a time and a team of guides to rescue my future. The cork popped and like an unexpected flash of rain I would be soaked in seconds with what I assigned a name, terminal despair, or TD. I knew I had to break through my mind’s window, walk on shattered glass, and return to my truest self. In doing so I would fall into the arms of my grandmother’s spirit, call on wise women and old souls to push me into the tiniest bit of light and learn to trust enough to honestly love another human being without resurrecting fear. Fear of betrayal, of being left, of not being good enough. The one who managed to pull me into the light a little more each day was ROCK, my alter ego, and the whispering spirit of Nature’s call to revisit her beauty each day; her majestic sunrises, her wild North Sea storms that are never to be reckoned with and her profound ability to try and recover from humankind’s blatant abuse. I meshed my being with the fight Mother Nature is up against each day as her water’s become spoiled by selfish beings, as her protective layer in our atmosphere dissipates and she keeps reminding me to engage in “Bettering” myself in any way I can. I am part of a rainbow, I am a healer and she is mine. I also have learned that no matter what I have been through, I am in charge of the rest of my life. I still doubt if I am loved as much as I want to be, I still have weak streaks but the colours of me and my new portrait are fierce. And on the horizon I can see that my final sunset will be peaceful. Blessed Be.

ROCK

The stone is silent, not mute. It was buried deep within my being, awaiting it’s truth to be heard and seen. I am ROCK solid. The one some cast away at sea or try to hide. I carry Truth. Truth that is gritty makes some turn away. Are you strong enough to stay?